Sarah Pickett

TOP CLAW RECIPIENT
Biography
Dr. Sarah Pickett is a musicologist and violinist who has been teaching at GGC since 2019. Her work explores the history of the violin both during the Industrial Revolution and in the 21st century, as well as the role of music in human cognition.
Education
- Doctorate 鈥 musicology 鈥 Florida State University
- Master's 鈥 musicology 鈥 Florida State University
- Bachelor's 鈥 music 鈥 Austin College
Academic Interests
- Music history and appreciation
- Music cognition
- Ecomusicology
- Organology
- Popular music studies
- Early music performance
- Violin / viola da Gamba / banjo performance
Publications
- "Environmental Sustainability in U.S. Violin Making." Music, Sound, and Climate Justice Conversations, New Orleans, AMS-SEM-SMT conference, November 2022
- "3-D Printed Violins: How Can We Make Music Sustainably?" Readings, Writings and All That Jazz Series, 色库TV, Fall 2019
- 鈥淓xploring Alternative Materials and Processes in Violin Making.鈥 Ex-Centric Music Studies, Harvard University, 2018
- 鈥淚nnovations in Nineteenth-Century Violin Making.鈥 The Acoustical Society of America, 2015
- 鈥淢aterial Improvisation in Violin Making.鈥 Interdisciplinary Performance Symposium, 2015
- 鈥淭he Violin: History, Construction, and Acoustics.鈥 FSU Department of Interior Design Third Annual Charrette, 2015
- 鈥淕rit and Grace: Vincent Persichetti鈥檚 Modern Traditionalism.鈥 FSU Organ Society Pre-Concert Lecture, 2015
- 鈥淓xperimental Violins: The Politics of Wood and Music Making in the Twenty-First Century.鈥 City University of New York, 2015
- 鈥溾榃hat is the Feminine of Stradivari?鈥: Carleen Hutchins and a New Model for Women鈥檚 Biography.鈥 The Society for American Music, 2015
- 鈥淩ecent Innovations in American Violin Making.鈥 The Southern Graduate Music Research Symposium, 2014
- 鈥淚ntersections of Music and Science in the Experimental Violins of Chanot and Vuillaume.鈥 The American Musical Instrument Society, 2013
- 鈥淩eal and Imagined Identities in an 鈥業mprovisation鈥 on Bach鈥檚 Concerto for Two Violins.鈥 The American Musicological Society Southern Chapter, 2013